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Written by NEXTnc Staff Reports   
Wednesday, 16 August 2006

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NICKEL CREEK
Strong roots: Where bluegrass meets rock, the Creek rises up

By Glenn BurnSilver
For NEXTnc

Danny Clinch | for NEXTnc
Nickel Creek.
Banish any preconceived thoughts you might have about Nickel Creek. Don’t let the acoustic instruments and bluegrass pedigrees fool you.

Sure, individually, guitarist Sean Watkins, mandolinist Chris Thile and fiddler Sara Watkins follow more bluegrass-oriented pursuits, but Nickel Creek is what happens when bluegrass kids grow up, find their rock ’n’ roll souls and allow the two collide head-on. This is something more akin to Heart on a psychedelic bender.

The results are most striking on their latest release, “Why Should The Fire Die?” (Sugar Hill). Songs rise and fall on rolling bass lines and come to thundering crescendos full of powerful rock overtones.

Harmonies rival Crosby, Stills and Nash in beauty and strength, while electronic effects and vintage instruments and amplification add a classic rock feel.

At the same time, Nickel Creek expose their roots with slow, sweet, old-timey bluegrass numbers or bursts of lightning fast picking.

“Bluegrass will always be the biggest part of what we do because it is what we started off doing, but we don’t call ourselves a bluegrass band,” explained Sean Watkins by phone from his southern California home. “But to someone who listens to only rock, we’re a bluegrass band and for bluegrass fans we sound like we’re rocking. It’s definitely not bluegrass, but it is based in it.”

Part of the equation revolves around the trio growing up in southern California where all forms of music could be heard, including the classic rock like Jackson Brown, the Eagles or CSN&Y.

Another part is producers Tony Berg and Eric Valentine, who helped guide (gently) the band toward their full-rocking potential.

“Eric pointed out that was something we had some affinity toward and that we should try to capitalize on it,” he said. “We focused on that. We feel like we’re not good at it, but it sounds right when we do it.”

Of course, it doesn’t sound right for the bluegrass purists who want straight picking and harmonies. Now 29 and having performed on stage for 20 years, Watkins says he isn’t worried about playing “proper bluegrass.”

But has growing up made it any easier for him, stepping away from purely playing bluegrass?

“We always felt like we had the upper hand because we were kids. I remember thinking as a kid that one day we’re going to be adults and we’re not just going to be kids who can just get away playing fast. We’ll have to write things that are meaningful and say something,” he said. “It’s good to stop relying on just being young. It was advantageous being young, but it’s nice being older and being able to step out of that.”





 


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