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Written by Knight Ridder
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Wednesday, 17 May 2006 |
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Poseidon Two starts (out of four) Kurt Russell, Josh Lucas PG-13
The overturned-ocean-liner remake, “Poseidon” is long on “wows” but short on “aws.”
We want two things from disaster movies: big-event special effects and characters vivid enough to make us care whether they live or drown.
“Poseidon” delivers on the former. The shots inside a ship hit by what’s snicker-inducingly referred to as a “rogue wave” are spectacular. And director Wolfgang Petersen makes us feel the effects of the disaster in suspenseful scenes where survivors crawl away from onrushing waters through tight air ducts (for his next act, Petersen, who made the most claustrophobic movie of all time, “Das Boot,” should make a movie entirely set in a paper bag).
But the movie doesn’t have characters; it has adjectives.
Watching them and wondering whether they’ll live is about as emotionally involving as watching popcorn kernels and wondering whether they’ll pop. Overprotective Kurt Russell and Daring Josh Lucas lead a cross-section of survivors, including Overprotective’s daughter, Rebellious (Emmy Rossum), as well as Maternal (Jacinda Barrett) and Despairing (Richard Dreyfuss) toward safety after the cruise ship they’re all not having a very good time on flips over on New Year’s Eve in the middle of the ocean.
Each of those people corresponds to one of the characters in the original “Poseidon Adventure.” But this stripped-down “Poseidon,” 20 minutes shorter than the original, is unwilling to pause for the sort of human moments that make characters endearing.
The people are so one-note they’re like the seven dwarves you never wanted to meet: Overprotective, Despairing, Rebellious, Maternal, Daring and their friends with fewer lines, Frantic and Winsome.
The only one missing is the person responsible for this underdeveloped script. That would be Dopey. | Only registered users can write comments. Please login or register. |
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